On Allday’s single In Motion, he professes he’s no deity.
It’s but a line in the killer track with Japanese Wallpaper, but Tom Gaynor’s belief in something beyond him – and the inspiration that comes from that – is a rolling, passionate current that flows beneath his work as a musician. “Spirituality and musicality are a tightly entwined partnership, creating something better than the sum of their parts,” says Gaynor.
“I feel like when you’re making music, or making art, you have to be channelling something. And it’s something that I just feel. I’ve had enough evidence of spirituality in my experiences creating, so I have to live by it.”
Though he now resides in Los Angeles, and has lived most of his adult life in Melbourne, Gaynor’s Adelaide roots are part of what underpin his connection between his music and his spirituality.
“My friend says there’s a crystal shaft under the city, and I definitely feel that strange psychic pull going on in Adelaide. To be honest, I didn’t make much music in Adelaide. I made some of my first stuff there, but oftentimes I’ll go back to Adelaide and I’ll find it a very fruitful time for lyrics and ideas.”
After being raised in a Catholic household, and embracing what he calls typical teenage Atheism, as an adult, the 26-year-old has become interested in other philosophies. Though he muses that it’s probably a path walked by many people, he’s driven by what he identifies as spiritual energy, and apparently that energy is plentiful in his home town.
“A lot of artistic people, not just musicians but all creatives, move away from Adelaide and when we come back, we feel that same weird psychic energy that creates a freaky feeling, but also good artists,” says Gaynor. “If you’re a sensitive person to that weird energy, Adelaide can either freak you out or it can move you.”
Releasing a slew of mixtapes and a hugely successful debut album in 2014, Startup Cult, Gaynor has recorded the process of his growing up, since first becoming Allday in 2011.
Originally published in Beat Magazine.